Following the first part where we explored the origins of his creativity and sources of inspiration, the second part delves into GUWEIZ’s creative process and future outlook. He speaks in depth about what goes on behind the scenes, from the personal touches in his signature to his daily production routine and passion for his work. With his participation in the 2025 Osaka Expo on the horizon, his commitment to growth and new forms of expression reflects a sincere approach to his art.
Behind the Scenes of Art Creation
B- Is there anything particular about how you write your signature?
GUWEIZ- To be honest, I think it works just fine as long as it has my name. But as an artist, adding some visual flair makes it easier for people to recognize. So I made the “G” in “Guweiz” larger and stretched out the “Z” at the end to make it stand out. I’m not sure if you’d call that a serious design decision, but it’s been working pretty well so far! (laughs)
B- Do you usually set deadlines for yourself, or do you work freely until a piece is finished?
GUWEIZ- I don’t have a strict schedule, but I aim to complete around four or five pieces a month. At the same time, I juggle teaching, commercial projects, and other responsibilities. As a result, things don’t always go as I planned.
B- How long does it take to finish one piece, or how many hours do you usually draw in a day?
GUWEIZ- Some works can take up to 200 hours, and sometimes I even scrap a piece halfway through if I’m not satisfied. I used to draw for more than 16 hours a day back in the day, but I spend about 12 hours now because I’m not that young anymore.
B- When you feel stuck or frustrated during the creative process, how do you deal with it?
GUWEIZ- Umm, let me see. I think everyone has different ways to cope. For me, I just keep drawing through the frustration instead of trying to relieve the stress. Sometimes I put on YouTube or music in the background to relax while I work.
B- Is there anything you absolutely need in your workspace?
GUWEIZ- YouTube, for sure. Whether it’s music or just some random video, it’s always playing in the background. If it’s too quiet, I actually find it harder to focus. So a little background noise works better for me.
B- Do you have any specific habits or routines when creating art?
GUWEIZ- I wake up, brush my teeth, eat breakfast, and then get to work. That’s my routine. Since I live and work in the same space, there’s not much separation between daily life and creation. I don’t focus on sticking to a routine — what matters to me is the pure desire to create.
“I want to create what I think is truly beautiful.”
B- Where does that motivation come from?
GUWEIZ- That’s a good question. At the core, I just want to create and complete something. But more than that, I want to share my work with the people who love it.
The opportunity to show others what you love is actually quite rare and valuable. I believe everyone has the desire to share something they’re passionate about — like when you show a friend a cool YouTube video and they don’t really react. It’s disappointing, right? I’m really grateful that so many fans out there genuinely enjoy my work. That makes me want to create something truly great — something visually cool and packed with the elements I love. And the fact that there are people who want to see it. that’s what keeps me going.
B- Is there anything you consciously keep in mind while working on a piece?
GUWEIZ- Every time I create, I try to surpass my previous work. But it’s hard to do so since I draw something completely different each time, so it can’t be easily compared. What’s important is the challenge of expressing something I haven’t done before. There’s an endless world to explore from modern cityscapes to historical themes, architecture, fashion, and characters.
My goal is to keep challenging myself with new forms of expression and to create something that I can genuinely say, “This is cool!”
B- How do you feel digital art has evolved or expanded in expression by becoming physical through MCA? And what’s your impression of MCA itself?
GUWEIZ- The way I express my work has definitely expanded. In particular, the 2.5D expression of Metal Canvas Art (MCA) has a unique appeal. Unlike full 3D, it lets you control how the work is viewed more precisely, making it easier to convey the artist’s original intention.
B- Now that it’s 2025, what challenges are you hoping to take on?
GUWEIZ- Right now, I’m focusing on preparing for the Osaka International Artfair aka OIA. I don’t want to spread myself too thin — I want to concentrate on this one big opportunity. Events of this scale don’t come around often, so I want to give it everything I’ve got and see it through properly.
B- Do you have any dreams or goals as an artist, beyond just digital art?
GUWEIZ- I don’t think I’m particularly accomplished yet — there’s still so much I need to learn. For now, I just want to keep drawing and growing steadily as an artist.
B- Lastly, is there any project you’re working on or something you’d like to share?
GUWEIZ- I’ll be participating in the Osaka International Artfair aka OIA, and I’m really looking forward to meeting lots of fans there!
OIA TICKET GIVEAWAY CAMPAIGN NOW LIVE!
Ready to experience the world of GUWEIZ “in real life”? Now’s your chance! We’re giving away tickets to OSAKA INTERNATIONAL ART 2025 (May 31 – June 1)! Follow us on SNS and fill out the application form – it’s that easy!
*Limited to 2 tickets per person
【Application Form】
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